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Andrew Clements
May 2025
Elgar: The Kingdom review – respectful and admirable, but this is still a work hard to love
Kurtág: Játékok review – Aimard is perfect guide to major set of piano miniatures
April 2025
The Proms 2025 season offers plenty both to cherish and challenge
Andrew Clements
Bruckner & Gesualdo: Motets album review – less might be more for Monteverdi’s Gesualdo
Wagner: Der fliegende Holländer album review – Davidsen’s Senta is spine-tingling
Brahms: Piano Quartets Nos 2 and 3 album review – high-class chamber music with a star team player
Ravel: Complete Songs album review – Martineau’s survey is full of treats
Bartók: Piano Works album review – Sonya Bach guides us from romantic roots to expressionist power
Shostakovich: Lady Macbeth of Mtsensk album review – controversial opera’s drama is dulled
March 2025
Ravel: Fragments album review – Chamayou’s piano dances and dazzles in a luminous birthday celebration
Boulez: Livre pour Quatuor album review – first complete recording illuminates its vertiginous contrasts
Mahler Symphony No 3 album review – slightly sub-par outing for ‘least hysterical’ work
Fauré: La Bonne Chanson and Other Songs album review – the ecstasy of unbuttoned love
Dunedin Consort/Butt review – A bog, but not standard as Fennessy’s new cantata premieres
Mozart: Serenades; Gran Partita review – bright tones and period-instrument agility
Organised Delirium: Piano Sonatas by Boulez, Shostakovich, Bartók and Eisler album review – coruscating and exceptional
Theatre of Voices review – lucid tonality, Italian poetry and a contemporary classic
February 2025
Francisco Coll: A Portrait album review – assured collection charts the rise of a compelling voice
Coll is one of Europe’s most distinctive composers, and the Hague-based ensemble’s virtuosity showcases the startling fertility of his imagination
Twilight: Schumann Songs album review – treasures galore from vivid and sensitive Ian Bostridge
Tenor Ian Bostridge brings wonderful clarity and sensitivity to this collection that includes all of Schumann’s greatest song-cycles
Klangforum Wien review – Vienna focus brings lucid and colour-filled Pierrot Lunaire
Schoenberg’s revolutionary work powered the new-music ensemble’s second Wigmore programme, based around 20th-century modernism
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