Skip to main contentSkip to navigation
  • four mannequins dressed in clothes

    Met exhibition review: show-stopping peacockery and introspective origins

  • A free Yoga class on the artifical grass surface ioutside the new Davis Center.

    New York unveils most dramatic changes to Central Park in years – in pictures

    The $160m makeover to the park’s north side is part of a long-term project to address years of neglect
  • Hotel Festa Qugiela, Okayama.

    We’re having sex inside Moby Dick! The wild architectural world of Japan’s love hotels

    From cruise ships to UFOs, from King Kong to a giant whale, half the sex in Japan may take place in its dazzlingly imaginative love hotels. But have some become just too seedy? Our writer checks in
  • A woman lies on the grass, her long, black hair spread out and dotted with little yellow flowers

    ‘The beauty of this angle is the distortion’: Sanket Khuntale’s best phone photo

  • Sacrilege (2012), an interactive public artwork by Jeremy Deller on Glasgow Green. Photograph: Murdo MacLeod/The Guardian

    From acid house to ancient rites: Jeremy Deller’s enormous, collaborative, unsellable art – podcast

  • Artist Su Yu-Xin, 33, poses for a portrait in her Los Angeles studio in March.

    The landscape artist who makes her paint from pearls, crystals and volcanic dust

  • seal saying national endowment for the arts' on the outside of a building

    Arts agency terminates dozens of grants after Trump proposes eliminating NEA

  • He appeals to anyone sick of illiterate pop culture … La Revolution est un Bloc, 1992.

    Sculpture
    Ian Hamilton Finlay review – under the classical veneer, this artist was an idiot

  • Fragmented and inaccurate … part of the intricate work by Deller and Turpin.

    Art and design
    Jeremy Deller’s fake Roman mosaic review – is that a smiley face on the ancient ship’s flag?

  • Savouring little freedoms … Seba from The 69 Stations of the Kiso Highway.

    Art and design
    Hiroshige: Artist of the Open Road review – ‘I could look forever at these passing moments in cosmic colours’

  • Oh To Believe in Another World, 24th April, Royal Festival Hall, Southbank Centre. Filmmaker and artist William Kentridge with the .

    William Kentridge
    Oh to Believe in Another World review – Gripping Kentridge and Shostakovich bring Stalin’s age of betrayal to life

  • To attract tourists, the municipality of Calais is organising dragon rides on Calais beach.

    Life for the displaced in Calais – in pictures

  • Composite of childhood and contemporary photos of Michi, Norma and Caroline

    Survival and stoicism: stories of women born before the second world war

    Christian Doyle’s series Quietly Getting On focuses on women in their late 80s and 90s, their memories of a wartime childhood and how they live now
  • Zelenskyy and Trump sitting close together on chairs, talking intently to each other, in a large ornate room

    The week around the world in 20 pictures

    The funeral of Pope Francis, the blackout in Spain and Portugal, May Day rallies and Salah’s selfie: the past seven days as captured by the world’s leading photojournalists
  • Hungarian-born architect and furniture designer Erno Goldfinger in 1968, in front of the Balfron Tower in Poplar, London, which he designed.

    The Alienation Effect by Owen Hatherley review – meet the brutalists

  • Blow the roof off … the state circus building with its UFO-inspired big top.

    Cosmic metros, UFO circus tops and a 3,000C sun gun: the mesmerising architecture of Tashkent

  • Castle Howard

    North Yorkshire’s film-star stately home set to earn its keep by hosting paying guests

  • multi-storey wood buildings with streets and cyclists around them

    ‘It shapes the whole experience’: what happens when you build a city from wood?

  • Back view portrait of a female artist holding brushes standing next to easel in art studio, copy space

    A dustpan and brush with fine art

  • illustration referencing Munch's The Scream

    The big idea: should we abolish art?

    Down with expensive trophies at art fairs: it’s time to reclaim a more radical vision of creativity
  • Flávio de Carvalho wearing the New Look-suit and walking on the streets of São Paulo, Experiência n. 3, 1956,

    ‘Abnormal art is the only good art’: how Flávio de Carvalho sparked a Brazilian revolution

    He donned a skirt to shock his conservative countrymen – and got bundled into a police station for his own protection. As his work appears in the RA’s Brasil! Brasil! show, we celebrate a luminary of modernism
Loads more stories and moves focus to first new story.

Most viewed