Letters: The renowned designer’s lasting creative influences are celebrated by Portia Dadley, while John P Butler shares a touching memory of his late wife’s love of a Morris pattern
Letters: Julius Smit likes that analogue demands time, patience and thought, while David R Freke loves his refurbished 1970s SLR. Plus, letters from Roger Foster and David Baugh
Letter: Celia Clark credits Catherine Gladdis with a description of a brutalist landmark in Portsmouth that is often attributed to the then Prince of Wales
Geoffrey Strachan writes: A similar sympathy for the style of a trio of writer-performers appeared years later in Hepburn’s design for The Joy of Sequins (1994), the Fascinating Aida songbook
William Morris’s legacy of radical creativity