In C review – Sasha Waltz matches Terry Riley’s 1964 classic with a minimalist community
The choreographer pairs the semi-improvised score with similarly loose structures that reflect on collective action and identity
‘The audience chucked food at us!’ Emilyn Claid on angry shows, her ballet shame and gardening for Martha Graham
As she unveils The Trembling Forest with an ensemble of clay-covered performers, the great dance disruptor looks back on decades of radical and autobiographical shows
Snow White/Snow White: The Sacrifice review – puts the Grimm back in the tale
Wake review – Irish dance takes a raucous, pole-dancing rollercoaster ride
Royal Ballet to perform Justin Peck’s Everywhere We Go, with music by Sufjan Stevens
